History & Resources

What is the Venice Biennale?

Venice 1

The official poster from the first International Art Exhibition of La Biennale di Venezia in 1895.

The Venice Biennale International Art Exhibition is the most prestigious visual arts event in the world, taking place once every two years in Venice, Italy.

Beginning over 100 years ago, in 1895, when five hundred works of art - just under half by Italian artists, the rest featuring international artists - made up the “International Exhibition of Art of the City of Venice”, the Venice Biennale has grown to encompass today more than 800 artists representing 70 countries.

In 1907 the Biennale began to develop something of the format it comprises today, with several countries installing national pavilions at the event.

 

 

Venice 5

The poster from La Biennale di Venezia 1930

The Biennale's Other Festivals

By the 1930s, the Biennale had grown to encompass festivals in Music, Cinema and Theatre (the Venice Film Festival in 1932 was the first film festival ever organized). In 1980 the first International Architecture Exhibition took place, and in 1999 the world of Dance made its debut at the Biennale.

New Zealand participates officially in the International Art Exhibition at the Biennale.

See the archive of official exhibition posters and resources from the Venice Biennale International Art Exhibition between 1895 to 2005 here

 

National Pavilions

Today the Biennale is a kind of world fair of contemporary art, showcasing the work of over 800 artists who represent more than 70 countries. Artists showing in national pavilions are selected by their country to represent the most significant contemporary art practice that the country has to offer. Each country is invited to attend officially by the Italian government.

The Biennale is based at the Giardini di Castello, gardens in the east of Venice that have played host to the event since 1895. The area houses the Italian pavilion and 34 national pavilions. Countries that show in the Giardini include Australia, England, Brazil and Germany. The assignment of the permanent pavilions in the Giardini was largely dictated by the international politics of the 1930s and the Cold War.

Countries without pavilions in the Giardini, such as New Zealand, show their art in palaces and historic venues around the city. Participating countries without pavilions in the Giardini have increased in recent years. At the 52nd Venice Biennale in 2007, 42 pavilions where situated outside the Giardini.

 

Curated Exhibition

Venice

La Biennale di Venezia 2009's Curated Exhibition is entitled Making Worlds

Each Biennale, a guest curator is appointed to curate a special exhibition, which is loosely organised around the overarching Biennale theme.

This exhibition includes artists from around the world and is a major component of the Biennale event. Today the exhibition is largely staged in the Corderie Dell'Arsenale, a large disused rope factory about 10 minutes walk from the Giardini.

This year’s guest curator is the highly esteemed Swedish curator Daniel Birnbaum, with theme of the 2009 Venice Biennale International Art Exhibition entitled, Making Worlds’.

 

Collateral Events

Under the official umbrella of the Biennale, a range of related activities take place around Venice. These include commercial and non-commercial exhibitions, film screenings, performances, concerts, official parties and functions, lectures and symposia. Various non-Biennale related arts activities also take place during the Biennale period.

 

Quick Links

La Biennale di Venezia official site

The Exhibition of Exhibitions 1895-2005 of La Biennale di Venezia

Reading list

Reading material inspired by the work of New Zealand's 2009 La Biennale di Venezia artists, Judy Millar and Francis Upritchard.

Judy Millar

Butler, Brian ed.
Speculation
Venice Project, Artspace, 2007

Byrt, Anthony
Sticky
Ramp Press / Whitecliffe, 2004

Byrt, Anthony
How to Paint Backwards
Gow Langsford Gallery, 2003

Emmerling, Leonhard.
Keeping You You, Keeping Me Me; Judy Millar's Gesture
Lopdell House Gallery, 2007

Galbraith, Heather ed.
Telecom Prospect 2007 New Art: New Zealand
City Gallery, Wellington, 2007

Kaeppele, Susan
IS/NZ,
Kehrer Heidelberg, 2005

Leonard, Robert
Judy Millar: I Will, Should, Can, Must, May, Would Like to Express
Auckland Art Gallery Toi o Tamaki, 2005

Paton, Justin
I is She as You to Me
Dunedin Public Art Gallery, 2003

Thomas, Morgan
Folding, Unfolding: Judy Millar's Something Nothing
64zero3, 2006

Francis Upritchard

Butler, Brian ed.
Speculation
NZ Venice Project 2007, Artspace, 2007

Camden Arts Centre
The Way We Work Now
Camden Arts Centre, London, 2005

Cranford Collection
Cranford Collection 1
Cranford Collection, London 2008

Dunn, Michael
New Zealand Sculpture: A History (updated Edition)
Auckland University Press, 2008

Exhibition catalogue
Becks Futures
ICA, London 2003

Hall, Ken
Of Deities and Mortals
Catalogue for Christchurch Art Gallery, Te Puna o Waiwhetu, 2007

Honoré, Vincent and Neilson, Elizabeth (eds).
An Archaeology
176 Zabludowicz Collection, London

Kunzru, Hari
File Note #04 Francis Upritchard, London
Camden Arts Centre, 2004

Manacorda, Francesco
Martian Museum of Terrestrial Art
Merrell, 2008

Paton, Justin
Reboot, The Jim and Mary Barr Collection
Dunedin Public Art Gallery, 2006

Raymond, Rosanna and Salmond, Amiria (eds).
Pasifika Styles - Artists inside the museum
University of Cambridge Museum of Archaeology and Anthropology, 2008

Upritchard, Francis
Centerfold (1)
Artists' book, ed. of 60, 2003

Upritchard, Francis
Doomed, Doomed, All Doomed
Artspace, Auckland, New Zealand, 2005

Upritchard, Francis
Heads of Yesteryear
Ed. of 100, Neives, 2005

Upritchard, Francis
Centerfold (3)
Artists' book, ed. of 20, 2004

Upritchard, Francis and Kunzru, Hari
Francis Upritchard: Human Problems
London: Kate MacGarry, Amsterdam: Veenman, 2006

Other books on NZ Contemporary Art

Barr, Mary ed.
Headlands: Thinking Through New Zealand Art
Sydney: Museum of Contemporary Art, 1992

Block, Rene and Burke Gregory (eds).
Toi Toi Toi: Drei Kunstlergenerationen Aus Neuseeland (Three Generations of Artists from New Zealand)
Kassel: Museum Fridericianum, Auckland: Auckland Art Gallery, 1999

Blundell, Sally (ed).
Look This Way: New Zealand Writers on New Zealand Artists
Auckland University Press, 2007

Caughey, Elizabeth & Gow, John (eds).
Contemporary New Zealand Art, Vols. 1-4
David Bateman, 1997-2005

Caughey, Elizabeth & Gow, John (eds).
Contemporary New Zealand Art, Vol. 5
David Bateman, 2008

Desai, V et.al
Paradise Now? Contemporary Art from the Pacific
Auckland: David Bateman and New York: Asia Society, 2004

Dunn, Michael
A Concise History of New Zealand Painting
David Bateman, 1991

Dunn, Michael
Contemporary Painting in New Zealand
Sydney: Craftsman House, 1996

Eggleton, David
Towards Aotearoa: A Short History of 20th Century Contemporary New Zealand Art
Auckland: Reed Publishing, 2007

Hohaia, Te Miringa , O'Brien, Gregory and Strongman, Lara (eds).
Parihaka: The Art of Passive Resistance
Wellington: Victoria University Press

Kardasz, Magda and Rees, Simon (eds).
High tide: new currents in art from Australia and New Zealand
Warsaw: Zacheta Narodowa Galeria Sztuki, Vilnius: Contemporary Arts Centre, 2006

O'Brien, Gregory
Welcome To The South Seas: Contemporary New Zealand Art For Young People
Auckland University Press, 2005

O'Brien, Gregory
Back And Beyond: New Zealand Painting For The Young And Curious
Auckland University Press, 2008

Paton Justin
How To Look At A Painting
Wellington: Awa Press, 2005

Simmons, Laurence
The Image Always Has the Last Word: On Contemporary New Zealand Painting and Photography
Dumnore Press, 2002

Smith, Huhana ed.
Taiawhio I & Taiawhio II - Contemporary Maori Artists
Wellington: Te Papa Press, 2007

Tolnay, Alexander ed.
Dateline: Contemporary Art from the Pacific
Ostfildern: Hatje Cantz, Berlin: Neuer Berliner Kunstverein, 2007